The story of a city founded in the 10th century BC, glorified the family of Patraos, who is unknown until today, and when it was mysteriously destroyed, it was never inhabited again.

In a magical place at the foot of the Krousia massif, which is as green today as it was thousands of years ago, the ruins of an ancient city are preserved on a hill. From this peak the inhabitants saw their life, the land that fed them, the water, the plants that sprouted, they saw the sun dancing on the leaves of the olive groves, the vines that promised delicious wine, the figs that filled their daily table with sweetness. They saw the land where their herds grazed, next to the river Echedoros, meaning "the one that has gifts" and gave everything that its name promised, its raw materials, its precious metals, gifts of wealth, the most important of which was gold!

The ancient city of Palatiano, 20 kilometers north of Kilkis, was in a naturally fortified position and controlled the important passage from the ancient region of Christonia to the regions of Parorvilia and Sintica, that is, to Lake Kerkini and Serres, and even further west.

It is even very likely that it is identified with the ancient city of Ioron, which means guardian, and the name is fully justified by its location.

Palatiano was founded in the 10th century BC and developed in the classical and Hellenistic years from the 4th to the 1st century BC, centuries in which it became an urban center.

It reached its peak in the Roman years, from the 1st to the 3rd century AD, when it was destroyed by an unknown cause. This era is called the Pax Romana (Roman Peace) and Palatiano flourishes and benefits from the goods of peace.

The city was protected by fortifications and its development was adapted to the morphology of the terrain. In the excavated eastern part of the hill, which developed amphitheatrically, a high retaining wall contributed to its division into two districts.

Today's ruins, set in a beautiful natural landscape, seem to exude the splendor of antiquity. The visitor can walk through the authentic ancient streets of the city and climb to the top of the hill where the sanctuaries of the gods, the center of public life, were probably located. He can cross the narrow streets between buildings, houses and workshops, follow the natural slopes of the hill and wander through the neighborhoods that were once bustling with life.

The Palatiano was destroyed - for unknown reasons - but never rebuilt and never inhabited again, but the houses of the ancient inhabitants have survived the centuries unscathed. The modern passerby can imagine the people who once filled these buildings with life. In the rooms of the houses were found the personal belongings of the former inhabitants: mirrors and jewelry, tools for the house and field, lamps to drive away the darkness of the night, storage and drinking vessels, even toys, small clay carts with wheels for children, so many thousands of years ago, just like today.

The head of the Department of Antiquities of Kilkis, Georgia Stratouli says that "among the most important monuments that testify to the wealth of the city are the two honorary Heroa found in one of its neighborhoods. One of them, the family Heroon(a shrine dedicated to an ancient Greek or Roman hero and used for the commemoration or cult worship of the hero) of Patraos, Ammia and their three sons, is preserved in very good condition, with four of the five statues of the family members almost intact."

Patraos wears a tunic in a classical statue type that exudes prestige and respect, while the wife and mother, Ammia, is a respected mistress. Two of the three sons, one of whom is depicted as an athlete in heroic nudity while the other holds scrolls. Perhaps he was educated, perhaps he had distinguished himself in the political or intellectual life of his place.

The archeologists studying the material are now called upon to answer the question: Who was this famous Patraos really? Was he a metal trader who became rich? The archeological excavation brought him and his whole family to light, and the discovery is perhaps another myth in the labyrinth of human imagination.

According to Ms. Stratoulis, "the inhabitants of Palatiano believed in Olympian gods: Zeus, Hermes, Athena, but it seems that their favorite was the god Dionysus. In fact, a full-figure statue of the god with a panther skin was found in the area, while an inscription gives him the epithet GONGYLOS (= round). However, they also worshiped other deities such as the eastern Kybele, the Greek mother of the gods and the Egyptian god Bissa".

The finds from Palatiano indicate a robust, developed and diverse urban society, associated with agriculture and animal husbandry, but also with crafts and trade, while the large number of coins suggests trade relations with other Macedonian cities.

It is very likely that the source of their great wealth was some kind of metalworking craft, which was apparently very important for the inhabitants of the ancient city. Perhaps Patraos became rich through it, who raised an honorary Heroon for his family.

"The important thing about this archaeological site is that we can empathize with the people of the past. How did the people who lived in these houses, who walked through the alleys to get to their sanctuaries, or to their properties at dawn? What stories can we tell? Let us think about them when we look at their personal belongings," says Ms Stratoulis.

Palatiano is a vibrant city. A city that still exudes the aura, the joys, the sorrows, the failures and the successes, the loves and the sorrows of a complex but also simple society. And by its simplicity it fascinates the visitor.

The Ephorate of Antiquities of Kilkis has created a very interesting film to introduce the Palatiano to the general public. The general coordination and the overall editing of the film is the responsibility of the head of the Ephorate, Georgia Stratoulis, the scientific editing is done by the archaeologists Nektarios Poulakakis and Maria Farmaki, while the "tour guide" in the area is also the archaeologist Theodoros Papakostas and the direction was led by Thanos Kartsoglou.