The Archaeologist

View Original

Turkey Converts The Famous Byzantine Chora Monastery Into a Mosque

Exterior of the Chora Church in Istanbul, today a museum. It is famous for it Byzantine mosaics.

The Directorate of Religious Foundations in Turkey has officially announced that the historic Byzantine-era Chora Monastery in Istanbul is set to be inaugurated as a mosque in May, dispelling earlier rumors suggesting that the mosque would commence Islamic services on February 23.

According to Turkey's Anadolu Agency, which referred to the official declaration, the Chora Monastery is currently undergoing restoration, with efforts underway to prepare it for religious use by May. A precise opening date will be shared upon the completion of these preparations.

This clarification follows false information that circulated on Tuesday from unofficial sources that claimed the mosque conversion would open in February.

The main church of the Chora Monastery, with origins dating back to the 6th century AD, is renowned for its extraordinary mosaics and frescoes that were crafted between 1305 and 1320, under the rule of the Palaiologos dynasty. This site stands as one of the most significant Byzantine monuments in Istanbul, alongside the Hagia Sophia and the Pammakaristou Monastery (now known as the Fethiye Mosque), particularly noted for its exquisite Byzantine mosaics.

Initially transformed into a mosque in 1511, 58 years following the capture of Constantinople, the Chora Monastery was later designated as a museum in 1945 by a Turkish Cabinet decision. This decision facilitated a significant restoration and conservation project led by American experts, which unveiled the stunning mosaics hidden beneath plaster. However, in 2019, Turkey's Council of State overturned the 1945 museum conversion, and the following year, President Recep Tayyip Erdogan decreed the building's return to a mosque.

The Chora Monastery: A Byzantine Jewel in Constantinople (Istanbul)

Depiction of the Chora Church/Mosque, c. 1900

From Library of Congress.

The Chora Monastery, nestled in the historic heart of Istanbul, stands as a remarkable testament to Byzantine artistry and architecture. Originally established in the 6th century AD, this former monastic complex captivates visitors with its stunning mosaics and frescoes, mainly from the early 14th century, a period marked by the reign of the Palaiologos dynasty. These artworks, rich in theological symbolism and artistic detail, depict various biblical scenes and figures, offering a window into the spiritual and cultural world of Byzantium.

The monastery's Greek name, "Chora," meaning "countryside," reflects its initial location outside the walls of Constantinople, though the city's expansion eventually encompassed the site. Over the centuries, the Chora Monastery has witnessed significant transformations, notably its conversion into a mosque in 1511, after the Ottoman conquest of Constantinople. This marked a new chapter in its storied history, leading to the alteration of its original Christian artworks under Islamic rule.

In 1945, the Turkish government transitioned the building into a museum, unveiling a comprehensive restoration project that brought its hidden mosaics and frescoes back to light. However, recent decisions by Turkey's authorities have once again redefined its purpose, reinstating the Chora as a mosque. Despite these changes, the Chora Monastery remains a symbol of the enduring legacy of Byzantine culture in Istanbul, bridging past and present through its architectural grandeur and the timeless beauty of its artworks.

Tensions and Cultural Heritage at Risk: The Impact of Turkey's Foreign Policy

A light show of Ottoman Sultan Mehmed’s 15th-century conquest was displayed over the Hagia Sophia, an architectural treasure of Istanbul.

Turkey's foreign policy, particularly its decisions regarding the conversion of historic Byzantine churches like Hagia Sophia and others into mosques, has ignited tensions not only with Greece but also with the international community. These actions have stirred debates around cultural heritage, religious freedom, and international diplomacy, underscoring the delicate balance between national sovereignty and global heritage preservation.

Hagia Sophia, a UNESCO World Heritage Site in Istanbul, originally a cathedral, later a mosque, and then a museum, was reconsecrated as a mosque in 2020. This move, alongside similar conversions like that of the Chora Monastery, has been perceived as a symbolic assertion of Turkey's Islamic identity and sovereignty. However, it has also been critiqued as a step that overlooks the pluralistic history and universal significance of these monuments.

The tension between Greece and Turkey is multifaceted, rooted in historical disputes, territorial claims, and differing perspectives on maritime rights, among other issues. The conversion of Byzantine churches, integral to Greece's cultural and religious heritage, into mosques exacerbates these tensions, viewed by many as an erasure of the shared Byzantine legacy that underpins the historical and cultural identity of the Eastern Mediterranean.

From a global perspective, the conversion of these sites raises concerns about the preservation of cultural heritage. These monuments are not just architectural wonders; they are repositories of history, art, and collective memory, representing centuries of Christian and Islamic traditions coexisting within the same spaces. Alterations to their structure or purpose risk damaging their integrity and the universal value they hold. The international community, including organizations like UNESCO, has voiced concerns about the need for careful stewardship of such sites to ensure they remain accessible and preserved for future generations.

The challenge lies in balancing respect for a nation's right to determine the use of its historical sites with the imperative to safeguard global cultural heritage. As these conversions continue to draw scrutiny, they serve as a reminder of the importance of dialogue, diplomacy, and international cooperation in managing and preserving the world's shared cultural treasures. The preservation of these monuments is not just a matter of maintaining physical structures but also of honoring and understanding the complex layers of human history they embody.