Why Most "Ancient" Buildings are Fakes
In this video, we delve into the intricate tapestry of Rome's iconic ancient buildings, revealing a narrative woven with threads of reconstruction and restoration, often interlaced with the fabric of political ambition.
Across the ages, many of Rome's venerable structures have been subject to meticulous reconstruction, their resurrection often orchestrated to align with prevailing political narratives. Take, for instance, the Abbey of Monte Cassino, a poignant exemplar ravaged by the ravages of WWII only to be painstakingly rebuilt, serving as a testament to resilience and renewal.
The Temple of Vesta, the Curia, and the Arch of Titus stand as stoic witnesses to the passage of time, their venerable facades bearing the marks of extensive restoration efforts. Indeed, it's estimated that less than half of the structures we behold today retain their original form, a testament to the enduring endeavor to preserve Rome's architectural legacy.
Even the grandeur of the Coliseum, that hallowed amphitheater echoing with the ghosts of ancient spectacles, has not escaped the hand of restoration. Pope Gregory XVI left his indelible mark, overseeing the reconstruction of a substantial portion of the missing South Side in brick, while the hypogeum underwent a transformative process of demolition and rebirth.
Yet, amidst this mosaic of restoration, one monument shines with particular luminosity—the Ara Pacis. Unearthed in a monumental feat of engineering in 1937, this sacred altar was meticulously reconstructed, emerging as the centerpiece of a grandiose fascist exposition celebrating the bicentennial anniversary of Augustus's birth.
Through the annals of history, the motivations behind these acts of restoration are as varied as the stones themselves. Whether as a demonstration of fealty to the Roman elite, a manifestation of civic pride, or a cog in the machinery of political agendas, the restoration of ancient buildings serves as a tangible link to Rome's illustrious past, a legacy preserved for generations yet unborn.