The Muisca raft (Balsa Muisca in Spanish), sometimes referred to as the El Dorado Raft, is an artistic figure of pre-Columbian gold votive, drafted by the Muisca who established one of the four grand civilisations in the Americas on the Altiplano Cundiboyacense in the Eastern Ranges of the Colombian Andes. The piece is exhibited at the Gold Museum in Bogota. It is estimated that the figure was drawn between 600 and 1600 AD by lost-wax casting in gold with a small amount of copper.
The figure refers to the ceremony of the legend of El Dorado. It represents the ceremony of investiture of the Muisca chief, which used to take place at Lake Guatavita. During this ritual, the heir to the chieftainship (zipa) covered his body with gold dust and jumped into the lake along with gold offerings and emeralds to the gods. The piece has a base in the shape of a log boat with dimensions of 19.5 cm x 10.1 cm and various figures on the raft, the largest figure that stands in the middle apparently represents the chief, which is adorned with headdresses, nose rings and earrings, measuring 10.2 cm and is surrounded by his soldiers who carry banners.
The raft was found by three farmers in early 1969 in a cave in the village of Lázaro Fonte in the municipality of Pasca (Cundinamarca), Colombia, in a ceramic pot, adorned with a human figure whose face has sharp teeth. The priest of the municipality protected the piece until it was acquired by Bogota's Gold Museum and where it has become one of its major exhibition pieces. It has never left Colombia.
El Dorado, the mythical city of gold
El Dorado, originally El Hombre Dorado ("The Golden Man") or El Rey Dorado ("The Golden King"), was the term used by the Spanish in the 16th century to describe a mythical tribal chief (zipa) of the Muisca people, an indigenous people of the Altiplano Cundiboyacense of Colombia, who, as an initiation rite, covered himself with gold dust and submerged in Lake Guatavita. The legends surrounding El Dorado changed over time, as it went from being a man, to a city, to a kingdom, and then finally to an empire.
A second location for El Dorado was inferred from rumors, which inspired several unsuccessful expeditions in the late 1500s in search of a city called Manoa on the shores of Lake Parime or Parima. Two of the most famous of these expeditions were led by Sir Walter Raleigh. In pursuit of the legend, Spanish conquistadors and numerous others searched what is today Colombia, Venezuela, and parts of Guyana and northern Brazil, for the city and its fabulous king. In the course of these explorations, much of northern South America, including the Amazon River, was mapped. By the beginning of the 19th century, most people dismissed the existence of the city as a myth.
Fichier: 1656, Sanson Map of Guiana, Venezuela, and El Dorado.
The legend of the Seven Cities of Gold (Seven Cities of Cibola) led to Francisco Vázquez de Coronado's expedition of 1540 across the New Mexico territory. This became mixed with the stories of El Dorado, which was sometimes said to be one of the seven cities.
Several literary works have used the name in their titles, sometimes as "El Dorado", and other times as "Eldorado".
Who were the Muisca people?
The Muisca occupied the highlands of Cundinamarca and Boyacá departments of Colombia in two migrations from outlying lowland areas, one starting c. 1270 BCE, and a second between 800 BCE and 500 BCE. At those times, other more ancient civilizations also flourished in the highlands. The Muisca Confederation was as advanced as the Aztec, Maya and Inca civilizations.
In the mythology of the Muisca, Mnya the Gold or golden color, represents the energy contained in the trinity of Chiminigagua, which constitutes the creative power of everything that exists. Chiminigagua is related to Bachué, Cuza, Chibchacum, Bochica, and Nencatacoa.
